With such mastery of romantic jazz, one could not resist toe-tapping

IF Shakespeare had ever imagined a fusion of classic melodies and lively enjoyment, he might have crafted an evening like this one, presented by The Chris Weeks Trio at St Leonard’s Church. With a fine blend of great musicianship and engaging charisma, this performance was exciting.

As the evening unfolded, Chris Weeks, the trio’s exceptional vocalist, captivated the audience with his versatile baritone voice. With a charming twist, the audience became The Watlington Rhythm Orchestra, collectively clapping, singing along and helping create the vibrant atmosphere.

Chris’s warm, boyish charm resembled that of legendary artists like Frank Sinatra and Dean Martin, and his heartfelt interpretations made the songs feel fresh and invigorating.

The set list was a nostalgic journey through the ages, featuring classics from rock and roll to jazz. Kicking off with Let’s Have a Party by Elvis Presley, the energy in the room quickly escalated. Chris and his talented band — Joe Butcher on drums and Tomek Sowinski on bass — created dynamic sounds that were lively. The addition of guest vocalists Susie Ingram and Nigel Shepherd brought an extra layer of creativity, elevating the performance even further.

Songs like Witchcraft and I Only Have Eyes for You showcased Chris’s mastery of romantic jazz, while the crowd responded enthusiastically to upbeat numbers like Great Balls of Fire and Twist and Shout. One could hardly resist foot tapping.

Every piece felt carefully curated and it was evident that considerable thought had been put into the flow and pacing of the evening. The highlight of the night came when Chris leapt into a series of Buddy Holly hits, which were performed with the unique hiccup style reminiscent of Holly himself. Maybe Baby and Rave On had the audience swaying and singing in their seats, if they weren’t dancing. Chris’s ability to channel the spirit of such iconic music was innovative.

Approaching the end of the set with the unforgettable I Saw Her Standing There by The Beatles, it was hard not to reflect on the sheer joy that live music brings. The evening was a celebration of classic tunes delivered with engaging enthusiasm and masterful musicianship.

In uncertain and troubled times artists like Chris provide a pleasant escape, reminding us of the extraordinary quality of enduring classics. For anyone craving a night of catchy tunes, heartfelt lyrics, and contagious smiles, please go to see this trio. Chris aptly summed it up with his reference to “a method in the madness”. Amid chaos and with the right artistry and passion, music can be magical.